Light was my starting point; integration is my practice. I work across lighting, scenography, and installation, in collaboration with directors and creative teams, to build performance environments where the visual and the live are conceived together as one.

I am currently  designing  Alonetimes by Jennifer Walshe and Philip Venables for Musica Festival Strasbourg and subsequent tour to Muziekgebouw Amsterdam and Deutshe Oper Berlin. This is a contemporary music and performance opera.

Other recent credits include, Poor, Medea and Our New Girl at the Gate Theatre, Infinity and Consellations at Cork Arts Theatre,  Good Sex for Dead Centre, Drainage Scheme and Saló at the Peacock, The Temple at Melbourne Malthouse Theatre; All that Fall and Playing the Dane for Pan Pan Theatre Company, To the Lighthouse, Everyman, Cork,  Guests of the Nation, Sacrifice at Easter, and Faraway on Spike Island for Corcadorca;  Der Sturm , Schone Neue Welt and NONONO at Theatre Bonn; Dublin Gothic and  A Midsummer Night’s Dream at Abbey Theatre; The Playboy of the Western World and Fight the Landlord at the Oriental Pioneer Theatre Beijing and The Seagull and  Other Birds at Chengdu Theatre, China

I was winner of the Irish Times Theatre Award for Best Set for Good Sex (2022) and Rehearsal, Playing the Dane (2010) Best Lighting for her work on All That Fall and Man of Valour (2011) and with Paul Keogan for Faraway (2017) .

 Recent opera work includes Guilio Cesare and Don Giovanni at Blackwater Valley Opera Festival 2023 and 2026 and Mars by Jennifer Walshe for Irish National Opera July 2025